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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。梅根（芭芭拉·斯坦威克 Barbara Stanwyck 饰）和未婚夫鲍勃（加文·戈登 Gavin Gordon 饰）即将携手步入婚姻的殿堂。鲍勃是一名虔诚的基督教徒，为了传教，梅根跟随鲍勃来到了中国。一场意外中，两人在误打误撞之下闯入了军事禁区，就此解释了袁将军（尼尔斯·阿斯瑟 Nils Asther 饰），三人之间结下了深厚的友谊。 随着时间的推移，袁将军渐渐爱上了天真烂漫的梅根，两人之间的距离越来越近。袁将军在事业上受到了重创，导致了众叛亲离的下场，在这危机时刻，梅根选择不离不弃地陪伴在袁将军的身旁。可是，袁将军误以为梅根这么做是为了自己的未婚夫，这误会导致两人的感情产生了裂痕。。