日剧咖啡遇上香草
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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。年轻空姐卡珊卓任职于廉航,每日飞往不同城市却从不观光,只想流连电音派对、沉迷酒精或在交友软体找对象。对公司来说,她是无可挑剔的员工;恪遵每条工作指南、达成每项销售目标、答应每次加班要求,甚至不声援同仁的工会活动。但在她耐心对待麻烦乘客,亲切服务倍受赞扬的完美妆容下,却没人察觉她眼底的那抹悲伤。 双导演对空服员一职细心考究,延请多位航空公司职员出演,以纪录片般的精准度,呈现空服员的专业劳动。阿黛儿艾萨卓普洛斯独挑大梁,继《蓝色是最温暖的颜色》后再展自然纯粹的本色演技,女主角的荒腔走板日常,是卡夫卡式的现代寓言,抑或是寂寞伤痛的另一种诠释?。
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